ÿþ<html> <head> <title>Forest Hill Chamber Music Festival 2004</title> <style> a:link {color:888888;text-decoration: none} a:active {color:888888;text-decoration: none} a:visited {color:888888;text-decoration: none} a:hover {color:000000;text-decoration: none} </style> </head> <body bgColor=ffffff topmargin=15 leftmargin=0 text=555555 link=000000 alink=000000 vlink=000000> <center> <a href="index.html"><img src="title01w.gif" border=0></a><BR> <BR><font size=3> { <a href="p1.html">6/11</a> &nbsp; <a href="p2.html">6/12</a> &nbsp; <a href="p3.html">6/13</a> &nbsp; <a href="p4.html">6/13</a> } &nbsp; { <a href="artists.html">artists</a> } &nbsp; { <a href="notes.html">program notes</a> } &nbsp; { <a href="photos.html">photos</a> } &nbsp; { <a href="contact.html">tickets</a> } &nbsp; { <a href="ack.html">acknowledgements</a> } &nbsp; { <a href="intro.html">about</a> } <BR><BR><BR> <table border=0 cellpadding=0 cellspacing=0> <TR> <Td align=right valign=top> <table border=0 cellpadding=15 cellspacing=0><TR><TD align=right> <a href="n01-bach.html">Johann Sebastian Bach </a><BR> <a href="n02-beet.html">Ludwig van Beethoven </a><BR> <a href="n03-berg.html">Alban Maria Johannes Berg </a><BR> <a href="n14-druk.html">Jacob Raphael Druckman </a><BR> <a href="n04-dvor.html">Antonín DvoYák </a><BR> <a href="n05-hind.html">Paul Hindemith </a><BR> <a href="n06-mech.html">Kirke Mechem</a><BR> <a href="n07-mess.html">Olivier Messiaen</a><BR> <a href="n08-moza.html">Wolfgang Amadeus Mozart </a><BR> <a href="n09-rohde.html">Kurt Rohde</a><BR> <a href="n10-ss.html">Charles Camille Saint-Saëns </a><BR> <a href="n11-scho.html">Arnold Schönberg </a><BR> <a href="n12-schub.html">Franz Peter Schubert </a><BR> <a href="n13-schum.html">Robert Schumann</a><BR> </td></tr></table> </td> <TD valign=top> <img src="black.gif" width=1 height=310><BR> </td> <TD valign=top width=500> <Table border=0 cellspacing=0 cellpadding=15><TR><TD> <font size=5><center><b>Kurt Rohde</b><font size=2><br><i> b. 1967 New York, New York</i></center><font size=3><br><br> <b>Double Trouble (2002)</b><br> <br> Like Paul Hindemith, the Bay Area s Kurt Rohde is a multi-faceted violist who performs his own music, as he does in this series. Far from having his music ignored, however, which was Hindemith s fate to some extent, Rohde is very much in demand as a composer as well as a performer, as his listing in the Artist Biographical Sketches indicates. <br><br>The composer, who has recently participated in performances of his  Double Trouble in Chicago and at the Ojai Festival in southern California, has provided the following description: <br><br> Double Trouble is a chamber concerto for two violas and small ensemble, lasting 17 minutes. The work is scored for two solo violas, flute (doubling piccolo), clarinet in A (doubling bass clarinet), piano, violin, cello. The piece is as much a virtuoso show piece for the ensemble as it is for the two soloists. <br><br><i>Obsessive Compulsive</i> opens the concerto. As is characteristic of my recent music, the movement is thrust along, propulsive and convulsive in nature. The two instruments play a single melodic line that is divided between the two solo players, adding a rhythmic component that would not be possible using only a single player. Throughout, there is a repeated, regular pulse pattern, which shifts at irregular intervals in the phrase, giving the effect of a repetitive bad habit that is barely under control. Hence, the title reflects one of the few obsessive rituals I have left that I still practice: composition. The fact that the four minutes of music which are in this movement took over 13 weeks to compose gives an idea of the type of  running in circles I tend to do when I compose. <br><br><i>Double</i> is a more exotic movement, languorous at times. Loosely based on the Baroque concept, the double is a separate movement or section that is based harmonically on the previous section or movement. Usually in a different tempo and with a different rhythmic scheme, the result is a type of extended variation. In the case of this movement, the soloists weave a melody that is derived from the rapid repeating patterns that they played in the first movement. <br><br>The work closes with a fast and furious finale called <i>Spazoid.</i> This movement is rhythmic and harmonic in nature, rather than melodic. It features a number of gestures and technical displays which pay homage to the age old myth that the violist is a  lesser string player. In this version, however, the music of written out spastic and nearly  out of control character is in reality extremely virtuosic, requiring tremendous finesse and technical control. It also requires a little humor. <br><br>The work was written for the Empyrean Ensemble s 2002 03 concert season, and was composed at my home in San Francisco during the Spring and Summer of 2002. The work is dedicated with fondness to my friend and colleague Ellen Rose, for whom I have the highest regard, respect and admiration. <br> </td></tr></table> </td> </tr> </table> </body></html>